Face 22

Face 22 is a print of an artistic reproduction of a contemporary Expressionist painting depicting a human face from an emotionally direct and symbolically powerful perspective. The work focuses on a figure with an elongated, simplified face, completely covered in a vibrant red, which visually dominates the composition and conveys an intense emotional charge.

The figure, with a fixed, penetrating gaze, directs his attention toward a point outside the frame, suggesting introspection, doubt, or melancholy. The eyes, rendered with great expressiveness in orange tones and outlined in black, contrast sharply with the rest of the face, immediately capturing the viewer's attention. The fine black lines that define the facial features—nose, lips, eyebrows—provide graphic simplicity and aesthetic force.

The hair, thick and dark in tone, is worked with energetic, dynamic strokes that provide movement, contrasting with the stillness of the face. The deep blue background, applied in a uniform plane, further intensifies the power of the red color and enhances the sense of isolation or emotional depth.

This piece, with a simple composition but a powerful visual impact, is ideal for modern spaces, creative studios, or interiors that value art with a psychological impact, expressive identity, and a challenging aesthetic. Its visual power and symbolism make it a work that will leave no one indifferent.

Reproduction of original oil painting from the 90s.

This artwork was printed using the Gyclée technique, which achieves the highest print quality through direct ink injection onto the sheet. The illustration is printed on 190g/m2 Epson Enhanced Matte paper.

This painting is available in two sizes: 30x40cm and 50x70cm.

Print produced in Barcelona.

Frame not included in the sale of the painting.


Disclaimer: All prints are based on original works, some of which are over 40 years old. Due to the state of conservation of the original works, the prints may contain slight signs of aging, such as missing pigment, discolored areas, humidity marks, etc. These are all part of the original work and have not been restored at the request of the painter. The passage of time is just one of the elements that shape the work.