Face 16

A reproduction that offers a powerful and emotional reinterpretation of the human portrait. The figure depicted combines visual power and psychological ambiguity through an intense color palette and bold pictorial treatment.

The face, the center of the composition, is painted in a vibrant red that dominates the surface and provides an immediate dramatic intensity. The features, outlined with bold brushstrokes in dark tones, present a serious, thoughtful, and enigmatic expression, framed by long ochre hair, applied with a dense texture and wavy strokes.

The figure wears a garment in deep green tones, with variations between emerald and dark green, providing tonal richness and chromatic balance against the strength of the face. The neck, in brown tones, reinforces the transition between head and torso with a well-defined color block approach.

The background, a light, uniform beige, allows the figure to stand out clearly, creating a contrast that accentuates its presence without distracting from the central focus. This use of negative space underscores the compositional simplicity and emotional power of the figure.

This work is ideal for those seeking contemporary art with character, identity, and a strong aesthetic presence. Perfect for modern spaces, creative studios, personal galleries, or environments that value expressive, symbolic, and human art.

Reproduction of original oil painting from the 90s.

This artwork was printed using the Gyclée technique, which achieves the highest print quality through direct ink injection onto the sheet. The illustration is printed on 190g/m2 Epson Enhanced Matte paper.

This painting is available in two sizes: 30x40cm and 50x70cm.

Produced in Barcelona.

Frame not included.


Disclaimer: All prints are based on original works, some of which are over 40 years old. Due to the state of conservation of the original works, the prints may contain slight signs of aging, such as missing pigment, discolored areas, humidity marks, etc. These are all part of the original work and have not been restored at the request of the painter. The passage of time is just one of the elements that shape the work.