Prints by Chiang
Face 41
Face 41
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The illustration depicts a frontal figure of great formal simplicity and strong symbolic meaning. The work stands out for its deliberate use of color, the stylization of the human face, and the dreamlike atmosphere it conveys. With an aesthetic that combines naiveté and emotional depth, this piece offers a free and evocative interpretation of the portrait.
In this print, we see a figure composed of rounded shapes and broad volumes, with a face rendered in earthy tones and brushstrokes of shadow and light in yellow, ochre, and brown. The barely sketched eyes, along with a small mouth, lend an enigmatic expression that oscillates between innocence and introspection.
The garment combines reddish brown with blue-green and deep blue details, creating a harmonious color scheme, framed by a vibrant, almost solar yellow background that provides energy, warmth, and visual contrast. The texture of the brushstrokes, visible and expressive, reinforces the sense of internal movement and contained vitality.
The character, who seems to emerge from the color as a symbolic or archetypal figure, becomes the focal point of the work, inviting contemplation and multiple personal readings.
Ideal for contemporary, creative spaces, or environments that celebrate art with a unique emotional identity and aesthetic. This high-quality print on art paper faithfully preserves the colors, textures, and nuances of the original and is ready to frame, adding warmth and character to any setting.
Reproduction of an oil painting from 1989.
This artwork was printed using the Gyclée technique, which achieves the highest print quality through direct ink injection onto the sheet. The illustration is printed on 190g/m2 Epson Enhanced Matte paper.
This painting is available in two sizes: 30x40cm and 50x70cm.
Print produced in Barcelona.
Frame not included in the purchase of the illustration.
Disclaimer: All prints are based on original works, some of which are over 40 years old. Due to the state of conservation of the original works, the prints may contain slight signs of aging, such as missing pigment, discolored areas, humidity marks, etc. These are all part of the original work and have not been restored at the request of the painter. The passage of time is just one of the elements that shape the work.
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