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Prints by Chiang

Face 12

Face 12

Regular price €45,00
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Contemporary Expressionist painting that offers a powerful visual interpretation of the human face through distortion, chromatic contrast, and emotional intensity. The work depicts a male bust against a deep black background, allowing the figure to acquire a striking visual presence.

The face, rendered in a bold palette combining vibrant yellows, intense greens, and hints of pink, presents an asymmetrical and fragmented composition. The facial distortion, along with the free-flowing lines and almost abstract shapes, suggests a subjective and emotional experience rather than a literal representation. The texture and tension in the contours add drama and movement to the scene.

The light, wavy blonde hair is executed with defined lines that contrast with the simplicity of the rest of the face. The figure in the canvas wears a red garment with a large visual surface, whose warm saturation further accentuates the tension between figure and background. The whole creates a sense of visual dissonance that captivates and stimulates personal interpretation.

This work is ideal for contemporary art lovers, collectors, and those seeking pieces that spark conversation, reflection, or aesthetic disruption in their surroundings. It's the perfect painting for decorating modern spaces, creative studios, personal galleries, or interiors with a bold artistic approach.

Reproduction of original painting from 1985.

This decorative artwork was printed using the Gyclée technique, which achieves the highest print quality through direct ink injection onto the sheet. The illustration is printed on 190g/m2 Epson Enhanced Matte paper.

This painting is available in two sizes: 30x40cm and 50x70cm.

Print produced in Barcelona.

Frame not included in the purchase of the illustration.


Disclaimer: All prints are based on original works, some of which are over 40 years old. Due to the state of conservation of the original works, the prints may contain slight signs of aging, such as missing pigment, discolored areas, humidity marks, etc. These are all part of the original work and have not been restored at the request of the painter. The passage of time is just one of the elements that shape the work.

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